CatHead. About
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About · the studio

One person.One cat head.Eleven tools.

CatHead AI is a software studio with exactly one person in it: Şevki Buğra Özbek, a producer, editor, motion designer and AI artist working from Istanbul. After almost two decades of commercials and post-production, Özbek makes small tools that each solve one problem (local-AI apps, plugins for Premiere Pro and After Effects, a few browser tools) and gives every one of them away.

Fig. 1The desk. Tea, a monitor, an unimpressed cat.

By the numbers

The short version.

11apps on the shelfNumbered N°01 to N°11. A twelfth, folderMatik, speaks Turkish only.
0what any of them costsNo trial, no tier, no subscription.
2industry awardsKristal Elma 2015 and Best Viral of the Year 2016, both as director and editor.
18years in film and post-productionFrom teaching film editing in London in 2008 to series and ads made with AI.
Fig. 3The maker, drawn the way everything else here is drawn.

The person

Producer. Editor. MoGrapher. AI artist.

Şevki Buğra Özbek started in the editing room and has never really left it. A film editing instructor in London in 2008, then a post-production supervisor and producer at Turkish TV channels, then for years a director of commercials and promotional films for national and international brands.

Two of those films won awards: a Kristal Elma for a Şeker Bank advertisement in 2015, and Best Viral of the Year for a Pizza Hut advertisement in 2016, both as director and editor.

Today the job title reads AI artist. At Vitpepper Studios, Özbek has made many series and advertising projects with AI, on a server setup the studio built for itself, always trying the newest tools and keeping what works. The small apps on this site come from the same desk.

Tools of the trade
  • After Effects
  • Premiere Pro
  • Photoshop
  • Illustrator
  • Cinema 4D
  • Octane
Education
BA, Film and Media StudiesEastern Mediterranean University, full scholarship

Career

Eighteen years on one timeline.

  1. 2008 – 2011

    London, then television

    Film editing instructor at SAE Institute, London (2008). Then post-production supervisor at Kanal T and YIC, and producer of the TRT show Ayrılık (2010).

  2. 2009 – 2019

    Directing commercials

    A commercial for Tuzla Shipyards in 2009, then marketing video director of commercials and promotional films (2012–2019). Two awards along the way: Kristal Elma 2015 and Best Viral of the Year 2016.

  3. 2012 →

    Motion graphics for national TV

    Motion graphics for national TV channels, from 2012 to today. Also the author of the Octane Render Engine user manual.

  4. 2020

    Lead screenwriter, A Feud

    Lead screenwriter of the PC game A Feud.

  5. 2021 →

    Editing for the big brands

    Editor of Toyota and Lexus commercials since 2021. Promotional films for the Ministry of Culture, El Dorado Gold and Raytheon in 2023. Post supervisor at Film&Go, post-production editor at Bando.

  6. Now

    AI artist

    Many series and advertising projects made with AI at Vitpepper Studios, and a shelf of free tools built along the way.

The studio

One problem at a time.

Most software tries to do everything and ends up doing nothing well. Özbek’s studio works the other way round: it picks one problem, stays with it until the rough edges are gone, and ships something small enough to explain in a single sentence.

The shelf is numbered, and N°01 is subtitles: subMatik turns a video into subtitles in 110 languages with Whisper, running on the user’s own machine. N°02 gives any font the Turkish letters it forgot. N°03 marks up photos with arrows and real-world measurements. N°04 finds a photo from a few typed words.

N°05 turns songs into chords for guitarists. Then the shelf turned toward people who cut video. Three Premiere Pro plugins fetch sound, fetch video and match colour. One app lines up two to nine clips side by side, frame-locked. A browser tool builds the chat screens that film and TV props need. A tiny menu bar app finally brings cut and paste to Finder.

Every one of them is free: no trial, no tier, no subscription. Most run entirely on the computer they are installed on, so there is no cloud to depend on. When an app does go online, the terms say when.

The look is hand-pulled print: cream paper, vermilion ink, halftone dots, and a mascot, a long-haired black cat with a permanently unimpressed face. Each tool gets its own page, its own colour and its own tiny film, in English and in Turkish. The studio’s own line for all of it: Built with craft. Shipped with attitude.

How the studio works

Four house rules.

Rule 1

One problem per tool.

Most software tries to do everything and ends up doing nothing well. Each app on the shelf does the one thing it was made for, and that fits in a sentence.

Rule 2

Free means free.

No trial to expire, no tier to upgrade to, no subscription. Every app on the shelf is free.

Rule 3

Your computer does the work.

Models like Whisper and CLIP run on the user’s own machine, so most apps keep working offline.

Rule 4

Out of your way.

The best tool is the one that gets out of the way: a menu bar icon, a plugin panel, a file dropped on a window. Then it is gone.

The shelf

Eleven numbered tools. One for the house.

Hover or tap a tile and it moves. Every one of them is free.

Fig. 2. The press. One lever, identical sheets.

Every release

Every release comes with

  • A number.Its place on the shelf, N°01 to N°11.
  • Two languages.A page in English and a page in Turkish, each with its own address.
  • A drawing and a film.An emblem printed in riso inks, and a few seconds of it moving.
  • A short FAQ.The awkward questions answered up front.
  • A free download.No trial, no tier. That is the whole price list.

The mascot

A cat with opinions.

The mascot is a long-haired black cat, very fluffy, permanently unimpressed. It has appeared as a cut-out print, a puppet on strings and a question mark with a tail. Always the same face: mild disapproval of anything that needs a subscription.

The headPermanently unimpressed.
The marionetteA paw pulls the strings.
The question markWhat’s next? Write in.

Quick answers

Things people ask.

Is everything really free?
Yes. Every app on the shelf is free: no trial, no tiers, no subscription.
Do the apps send my files anywhere?
Most run entirely on your own computer. When an app does go online, the terms say when.
Can I ask for a feature or report a bug?
Yes. Write to support@catheadai.com or use the form on the homepage. The studio answers even the smallest issues.
Who is behind CatHead AI?
One person: Şevki Buğra Özbek, a producer, editor, motion designer and AI artist in Istanbul, with almost two decades in commercials and post-production.
Is there a game?
Yes. CatHead Survivors, a free browser mini-game, lives in the Arcade.

Say hello.

Questions, feedback, or a tool the studio should make next? Write.

ColophonSet in Anton, Big Shoulders Display, Alfa Slab One, Space Grotesk and Plus Jakarta Sans. Printed in vermilion, teal, mustard and ink on cream paper. Every moving picture is a loop of a few seconds. Hosted on Cloudflare Pages.